18 years of cuts.
6 Tellys.
Zero boring edits.

Studio pedigree.
Startup energy.

I've been in edit bays since before vertical video existed. I've cut promos that ran during primetime and Reels that blew up on a Tuesday at 2am. The craft is the same — make people feel something in the first frame and don't let go.

What clients and collaborators tell me most: I make the process fun. Tight deadlines don't have to mean tight vibes. I bring 18 years of instinct, a deep toolkit, and the kind of energy that makes late-night review sessions feel like creative hangs, not grinds.